Blue Line Oasis
Blue Line Oasis consists of several art elements. A large mosaic and stone “well” greets passengers as they enter the station.
Blue Line Oasis consists of several art elements. A large mosaic and stone “well” greets passengers as they enter the station.
For Atlantic Station, Adobe LA created a series of benches with tile rugs at the platform and a large scale free standing sculpture inspired by the striking and colorful design culture of Eastside living rooms, shops, cars, and toys.
Beyond the Biosphere by Amy Cheng depicts a series of vibrant, overlapping spheres in two playful compositions for the glass on the platform canopies at this bus station.
Lynn Goodpasture’s artwork for this station celebrates the area’s botanical heritage and the individuals who have shaped the surrounding landscape.
Art panels combine images of pencil drawings on wood panels and hand-cut Japanese washi paper collage to illustrate the people, places, nurseries and plant life of the area.
Weaving together history and the story of place, Michael Davis’s artwork for this station, located in downtown Arcadia, draws inspiration from two of the city’s major destinations: the Santa Anita Park thoroughbred racetrack and the Los Angeles County Arboretum and Botanic Garden.
Project Description For Cardenas, traversing by bus or train in a city known for its cars and freeways is a study of Los Angeles’s diverse cultures, people and neighborhoods. To create the photographs in Anonymous (2016), the artist roamed the city in all modes of transportation: bike, bus, train, car and foot. Inspired by the nuances of daily life, he discreetly captured distinct moments as they unfolded in front of him. These artworks are part of the Metro Art Photo Lightbox Series, displayed in select stations between 2017 and 2020. Artist Statement “These images tell stories that are often overlooked as we move anonymously through the streets of Los Angeles. They speak to the smells, sites and sounds of the city, and the many individuals encountered as they head to work, play and home.” About the Artist RAFAEL CARDENAS (b. 1971, Jalisco, Mexico) is a self-taught photographer who chronicles the personalities and times in which we are living through intimate portraits and street scenes, primarily capturing the gamut of life in East Los Angeles where he …
Patrick Mohr’s “Angel Train” is a metaphor for the spiritual journey we all take during the course of our lives, merging the architectural past of downtown Long Beach and the journey of the commuter with the invisible poetic world of fantasy.
Project Description A series of art panels are united by a flowing sash, mean to convey the history and vitality of the local neighborhood. At locations facing the entrances to the platform, art panels depict the agricultural area that once existed as well as the present day urban city. A painted sash flows in front of the landscape. The front side depicts images of fabric patterns from a wide range of cultural traditions quilted together with a light blue yarn meant to signify the E Line (Expo). The back side of the sash contains a painted, abstracted map of the area with a blue line denoting the route of the E Line (Expo). At locations facing the interior of the platform, people, restaurants and theatres are the focus – drawing attention to the many different kinds of people and businesses that have contributed to the growth of the area. Artist Statement “By including images of the diverse existing community as well as a large veteran population, the pieces will offer a sense of warmth, youthfulness, …
These images generally trace the route of the Metro A Line (Red) on Wilshire and become a frozen record of the neighborhood under which the trains run.
Drawing on the rich history of Dorsey High School and the surrounding community, the art panels illustrate the many people who have contributed to the area’s growth and cultural life.
Intending to monumentalize the station’s surrounding community, Neilson reached out to local schools and organizations and gathered images of 27 faces of people who live and work in the Pico/Aliso neighborhood.
A Tribute to Industry is artist Washington’s salute to the many manufacturing and commercial enterprises that have been the mainstay of the economy in the Vernon Station area for many years.
Project Description Taken by the artist while on the road, these images conjure a passenger’s associations to another time, or place, during their travels. Artist Statement “My concept for this project is a simple one: To bring the beauty of and atmosphere of nature to the urban spaces people commute in. My images have a quality that I often hear transports viewers to another time or place in their lives. The images I have selected are all images that were made while traveling or on the road. They mirror the commuter’s journey but clearly in a more reflective way.” About the Artist TODD HIDO is a San Francisco-based artist whose work has been featured in Artforum, The New York Times Magazine, Metropolis, I-D, and Vanity Fair. His photographs are in the permanent collections of the Whitney Museum of Art, the Guggenheim Museum, San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art. Display year: 2010 – 2013 Locations: Universal City/Studio City Station No longer on display
Serving as a landmark and gateway for the city of Azusa, Jose Antonio Aguirre’s A Passage Through Memory (2015) is inspired by local historic architecture and the cultural traditions of the region’s earliest inhabitants. A pair of monumental Spanish colonial-style arched portals is placed at the entry ramps leading to the station platforms.
Lisa Adams’ “A Glimpse of Stoney Point Park” at Chatsworth Station depicts the area’s rural lifestyle and rich history of horse-keeping. A
Ricardo Duffy, after visiting the neighborhood along Florence Avenue, was inspired by the dynamic foot traffic along the storefront-filled street.
As Lead Artist, Renée Petropoulos participated with the design team to incorporate art enhancements into the Metro G Line (Orange). During the planning stages, she identified future artist opportunities. During construction stages lead artist tasks included the design of customer seating areas at five transit plazas, final selection of station colors and materials, and station art installation oversight.
Rebeca Méndez’s two mosaic murals transform the concourse wall into a sublime panorama of the sky as seen from Los Angeles. Articulating the progression of time over 24 hours, vertical segments portraying the stars and the moon flank an ethereal cloud-scattered azure.
Carlson Hatton’s densely layered, rhythmic murals capture the soundtrack of Hyde Park and its surrounding areas.
Kim Schoenstadt’s murals portray hybrid structures based on existing and historical buildings from the surrounding Inglewood neighborhood, including the Broadway Federal Bank, Centinela Adobe, Crozier Middle School, Jet Car Wash, Los Angeles International Airport Theme Building and Randy’s Donuts, to name a few.
Erwin Redl’s dynamic artwork Inside Out – Outside In – Inside Out at the street-level entrance of Expo/Crenshaw Station takes advantage of the changing position of the sun to reflect an array of colors onto surrounding surfaces by day and transforms the glazed pavilion into an illuminated jewel box by night.
Jaime Scholnick’s frieze-like collages are based on hundreds of studies and more than 11,800 photographs of the surrounding neighborhood. Progressing from dawn to night, the artist spent many hours documenting the area around the station and talking to local residents about their visions for the artwork.
Mara Lonner’s artwork is inspired by the surrounding Leimert Park neighborhood, of which she was a long-time resident.
Shinique Smith’s mosaic mural playfully visualizes the cultural richness of South Los Angeles by collaging elements pulled from fashion, pop culture and calligraphy. Honoring the station’s namesake, the artwork also includes a selection of empowering words inspired by Dr. Martin Luther King Jr.’s speeches and autobiography.