Author: Metro Art

Red Car Requiem

Mark Steven Greenfield’s glass mosaic, titled Red Car Requiem, for the station’s concourse will be a sentimental tribute to Los Angeles’s historic Pacific Electric Red Cars, a once iconic fixture in the city.

Kim Yasuda and Torgen Johnson, "real green"

real green

In “real green” at Vermont/Athens Station, artist Kim Yasuda and architectural collaborator Torgen Johnson sought not only to pay homage to, but to revive, the agricultural history of Gardena, a city once well-recognized for its gardens

John Outterbridge has created Pyramid

Pyramid

Artist John Outterbridge has created Pyramid, a bilateral, reinforced-concrete pyramidal form, located at the northwest end of the station entrance.

Poetry In Motion/LA™

Poetry In Motion/LA™

Launched in October 1998 in partnership with the Poetry Society of America, Poetry in Motion/LA™ places poems directly in the path of more than one million Metro bus riders daily.

Kipp Kobayashi, Noel Korten and Marta Perlas AIA, "Plantings"

Plantings

The artist team- Kipp Kobayashi, Noel Korten and Marta Perlas, AIA – created seating environments that produce a strong visual and functional experience for Metro riders at 7th/Metro Center Station, influenced by historic Batchelder tiles in the nearby Fine Arts Building.

Robin Brailsford, Pioneros de la Rivera de San Gabriel

Pioneros de la Rivera de San Gabriel

Artist(s):

Robin Brailsford’s Pioneros de la Rivera de San Gabriel (pioneers of the San Gabriel River, 2015) celebrates the pioneering spirit of the area’s five founding families and their descendants who capitalized on the unique local geology to create a thriving community and industrial center.

Carlos Spivey, "Phajah"

Phajah

Artist(s):

Phajah expresses the hope and optimism of South Los Angeles through a radiant portrait of a proud Black Leimert Park resident before a palm-lined skyline.

Tyree Guyton, People in Motion

People in Motion

Artist(s):

Tyree Guyton designed this artwork to evoke thought, create conversation and stimulate the observer to think about the most basic mode of transportation – the shoe.

Richard Wyatt People Coming People Going

People Coming / People Going

Artist(s):

Project Description Wyatt has designed two 52-feet long ceramic tile murals for the end walls of the Wilshire/Western Station. People Coming presents portraits of members of the community as they approach the viewer; People Going shows some members of that group walking away. Portions of the famous Wiltern Theater, located just across from the station entrance, can be seen in the back-ground. Painted in Wyatt’s realistic and dramatic style, the mural’s theme is at once the diversity of Los Angeles, its possible future, and a metaphor for a city always in transition. Artist Statement “I am interested in connecting with people through my art. In today’s corporate world the human element seems often to get lost—I try to bring back the human connection by monumentalizing people rather than buildings and objects. Hopefully, people will connect to the idea of how important they are to making the city, and mass transit, work. It was a challenge trying to translate the sensitivity of painting into tile. I spent over six months just experimenting with this new medium. Most of the finished …

Rendering of Patsaouras Plaza Busway Project

Patsaouras Plaza Busway Project

Metro’s newly-opened Patsaouras Plaza Busway Station is on the south side of Patsaouras Plaza at Union Station and serves the Metro J Line (Silver) and other transit buses operating on the El Monte Busway Line. Commissioned artist Ned Kahn designed Wind Bridge, a new artwork that is a system of integrated metal panels along the pedestrian bridge leading to the new station.

Detail of Paraje—Spanish for a resting place between two destinations—a 10ft h x 10ft w cast stainless steel sculpture containing imagery inspired by the nearby Gardena Willows Wetlands. Preserve.

Paraje

Artist(s):

Alison Saar’s Paraje is a reminder of the surrounding terrain’s natural history and is designed to offer transit users respite from the sun and wind. Located on the west end of the station platform and measuring 10 feet high by 10 feet wide, the cast stainless steel sculptural windscreen contains imagery inspired by the nearby Gardena Willows Wetlands Preserve, which is one of the few remaining pristine willow marshes in Los Angeles.