Ms. Assata Umoja
Ms. Assata Umoja celebrates the South LA activist for her empowering presence in the Hyde Park community.
Ms. Assata Umoja celebrates the South LA activist for her empowering presence in the Hyde Park community.
A golden spaceship awakens after a thousand-year stasis and blasts off toward its planet of origin.
“You start every day and try to keep on moving, but when you find yourself in an environment where meaning shifts and you have the opportunity to question its essence, it is like looking at reincarnation from aside: how process involves different states of being and perspectives.”
Her portraits explore the lives of individuals who are part of her community and personal life.
Project Description Modern Prometheus represents various creative fragments within a community that forge together to build a person. Just as bodies are made up of many cells that work together for survival, individuals are activated and built stronger through the support and inspiration of one another. About the Artist DAVE VAN PATTEN is a Long Beach/Los Angeles-based artist working in illustration, comics, and murals. Van Patten has done album artwork for bands such as the Grateful Dead and Les Claypool. His work has appeared in publications such as Juxtapoz, Vice and NPR.
Mark Dean Veca’s artwork concept for the station platform draws from the art deco details of the nearby Wilshire Tower building and the past and present geology of the Miracle Mile neighborhood through stylistic references to barley fields and tar.
Todd Gray’s artwork concept for the station’s glass entrance plaza and escalator landing walls juxtaposes archival architectural drawings by S. Charles Lee and historic photographs of the nearby Saban Theatre (formerly the Fox Wilshire Theatre) with a multicultural selection of iconic textile patterns.
With particular emphasis on the often-overlooked migrations of Black Americans, Clarence Williams’s deeply personal artwork, Migrations, for the platform of this downtown station pays tribute to the area’s legacy as a place where scores of migrants first made their way to Los Angeles.
Mga Bayani Sa Ating Paligid (Heroes In Our Midst) shines a light on Filipino American caregivers Teresita, Jade, Marlon and Joan.
Metro rail poster series commemorating the opening of the Metro Red Line, now B Line (Red), features the work of John Huggins.
Metro rail poster series commemorating the opening of the Metro Green Line, now C Line (Green), features artist Patssi Valdez.
Metro rail poster series commemorating the opening of the Metro Green Line, now C Line (Green), features artist Mitchell Syrop.
Metro rail poster series commemorating the opening of the Metro Green Line, now C Line (Green), featuring Noni Olabisi.
Metro rail poster series commemorating the opening of the Metro Green Line, now C Line (Green), features artist Hirokazu Kosaka.
Artist Frank Romero was commissioned to create a commemorative poster in 1990 for the grand opening of the Metro Blue Line, now known as A Line (Blue).
Metro Manners Trading Cards are a series of collectibles that depict public transportation etiquette in a variety of whimsical scenes.
Set in a not so distant future, we envision the streets of Los Angeles unhindered by the inefficiency and congestion of the internal combustion engine.
In 1996 and 1997, Metro Art initiated and developed bookmark projects in a creative effort to encourage transit customers to use the Metro system to travel to local libraries. Visual artists and poets were invited to form teams and submit collaborative designs of text and imagery for bookmarks to be distributed in “take one” holders on board 2,000 Metro buses, and at public libraries countywide.
Memory and Perspective is influenced by the artist’s memories riding the light rail to Del Amo Station.
Between the texts are holes where the sunrise peeks through the paper. When the sun sets, only the dots appear but when the sun rises, the light penetrates the paper to reveal the texts – the memories in between.
Project Description The primary artwork features a series of aluminum almond shaped panels that echo the shape of the platform canopy. The panels contain images from the past and present-day Boyle Heights community, and are cut out to depict images of historic transit tokens and landmarks in a style reminiscent of papel picado (cut paper) and Japanese wood block prints. Laminated glass canopy skylights also include artist selected images of local history and iconic travel imagery. On the west end of the station landscape area, large metal sculptures forming the words “TO…”, evokes the famed Hollywood sign and creates a new landmark. Artist Statement “I am striving to create an exciting day environment. I was inspired by images of transportation tokens from all transit periods in Los Angeles and how this element of our collective histories carries with it personal stories of travel. I intend to use local architectural landmarks which will also bring a familiar image of travel to the station experience.” About the Artist JOSE LOPEZ is nationally recognized for his innovative light-based designs, creating stage …
Sonia Romero created 13 artworks documenting her observations of MacArthur Park as an urban oasis.
This temporary construction fence, which consisted of 30 painted plywood panel murals, was erected around the drained lake in MacArthur Park in an effort to mitigate construction of MacArthur Park Station.
Phung Huynh designed terrazzo paving areas and porcelain enamel steel panels for station platforms. The completed works display ‘lucky’ Chinese cherubs with California poppies, and Chinese cherub pilots in a surreal yet travel-friendly atmosphere of airplanes, birds and flying oranges.
For the Wilshire/Vermont Station, Shire created Los Angeles Seen, a series of sculptures that float throughout the entrance conveying a theatrical, circus-like atmosphere.