Los Angeles Circa 1870, 1910, 1960 and After 2000
James Doolin’s series of four major murals are conceived to show the astounding scale and grandeur of Los Angeles history and thereby the need for the best public transit systems.
James Doolin’s series of four major murals are conceived to show the astounding scale and grandeur of Los Angeles history and thereby the need for the best public transit systems.
With “Locus: Locus: City Imprints” which is entwined in one of the city’s most complex freeway intersections, artist Steve Appleton attempts to architecturally connect the Harbor Freeway Station site with greater Los Angeles.
Local Odysseys, Terry Braunstein’s project for the Anaheim Station, is a series of fourteen photo-montages that have been fabricated into porcelain enamel panels dealing with community, values, and travel.
While these collected discards are often overlooked by passersby, the artist re-presents these materials as the central focus of the landscapes, suggesting that they reveal potential narratives about the people who frequent the area. 26th St/Bergamot Station is located in close proximity to Bergamot Station Arts Center, a major hub for artistic activity.
Lisa D on the E is a timeless and contemporary portrait of Walker’s friend and fellow artist.
Photographed from a moving vehicle at night, the enamel steel art panels of Sam Erenberg’s Liquid Light: Flowing into the Future depict bright streams of light created by cars and storefront signage on major thoroughfares.
Leo focuses on the newfound independence of a local teenager who uses public transportation to connect with friends and explore skate parks along the Metro, from downtown LA to Santa Monica.
Legacy depicts the artist’s mother, who has been riding the A Line (Blue) to and from work every day since her family moved to Long Beach from the Philippines.
Last Stop is a portrait of two Filipino Americans, members of a community with a long history in the area.
Located in the heart of Boyle Heights, the artist’s goal is to create a focal communal space for the multi-generational communities of the area. Images of birds, alluding to migration and travel is the theme throughout portions of the plaza, escalator walls and mezzanine.
“The music plays. The helping hand reaches out. The birds fly by. The flowers grow. The work of sharing joy continues. The community draws together. Our hearts beat for one another.”
By weaving cultural identifiers with elements that denote the passage of time, artworks create a sense of shared place and historical significance that honors the heritage of the local, the immigrant and the tourist alike.
Project Description The layered cyan, magenta and yellow transparencies in Matthew Brandt’s photographic series L.A. Flow (2016) were processed through a waterfall system that pumps Los Angeles tap water over the surface of each monochrome print. It took weeks for the water to erode the pathways that form the images. Alluding to the necessity of interdependence, the artworks are a reminder that the city’s municipal water system, like Metro, connects us all through an infinitely shifting network of relations that are essential to everyday life. These artworks are part of the Metro Art Photo Lightbox Series and will be displayed in select stations between 2017 and 2020. Artist Statement “Recent events throughout the United States have shown us the fragility of municipal water systems and the power of civic stewardship. Though the populace of Los Angeles is economically and culturally diverse, we all drink from the same tap. Our daily decisions impact those around us.” About the Artist MATTHEW BRANDT (b. 1982, Los Angeles) earned a Bachelor of Fine Arts from the Cooper Union for the Advancement of …
Hand-painted and glazed ceramic tile on the undersurfaces of the bridges provide the illusion of lacy tree branches overhead, while cast relief tiles feature a variety of native birds and animals which might once have inhabited this spot.
Jose Lozano’s LA Metro Lotería plays with the station name “La Brea,” retaining the Spanish language prefixes “La,” “El,” or “Los,” and substituting “Brea” with passenger interactions commonly encountered while riding Metro.
Margaret Nielsen’s mural presents a chronicle of Los Angeles history, primarily through images of antique postcards which take us to a different time and place
Project Description The daytime images were taken directly into the sun, and depict highways as meandering rivers. The nighttime shots move from representation to abstraction becoming a reversed celestial sky. Artist Statement “I couldn’t resist the concept of placing work made about LA itself a couple of years ago in the entrances to its underground circulatory system. This series is comprised of three key daytime aerial images of Los Angeles and four night aerial shots alternating through the seven photo lightbox sequence.” About the Artist MICHAEL LIGHT is a San Francisco-based photographer and bookmaker focused on contemporary American culture’s relationship to the environment. He has exhibited extensively nationally and internationally, and his work has been collected by the San Francisco Museum of Modern Art, The Getty Research Library, The Los Angeles County Museum of Art, The New York Public Library, and the Victoria & Albert Museum in London. He is the recipient of the Simon Guggenheim Foundation Fellowship in Photography. Display year: 2010 – 2013 Locations: Vermont/Beverly StationNo longer on display
This large painting on aluminum panels is located above the escalators at the west entrance to the Metro B Line (Red) subway station.
In order to beautify what is often a community eyesore for the duration of the construction phase, Metro Art commissioned veteran mural artist Charles Freeman to design and paint an original mural on the large scale construction fences at the corner of 1st and Lorena Streets.
Project Description George Legrady’s work consists of a series of vibrantly colored porcelain enamel steel panels, 14’ x 22’ 6” at the angled concrete wall above the staircase and escalator unit at the LA City College entrance of the station. The algorithmically generated abstract rendition uses statistical transit ridership data to create visual patterns. Artist Statement “The design concept for the image has been to engage the kinetic experience of the downward movement on both escalator and staircase and escalator, one smooth, the other sequential”. About the Artist GEORGE LEGRADY received a Masters of Fine Arts degree from the San Francisco Art Institute. Recent interactive installations have been exhibited at Ars Electronica, the San Francisco Museum of Modern Art and the Centre Pompidou, Paris. He has been awarded Creative Capital Foundation and National Endowment for the Arts grants. He currently holds a joint faculty appointment in the Media Arts & Technology graduate program and in the Department of Art of the University of California, Santa Barbara. Public Art commissions include the Seattle Public Library and Metro …
Artist Ries Niemi has created 550 linear feet of hand-wrought fencing for this station, influenced by the historical Art Deco buildings of Pasadena, the Craftsman Style detail of architects Greene & Greene, and the beauty of machines and trains from the Industrial Revolution.
Kid, an image of a young girl born and raised in North Long Beach, is one of many paintings and drawings produced over a three-year span.
The overall theme and design of the station was established by artist James Doolin and architect Tanzmann Associates, while artist Anne Marie Karlsen designed and produced the nearly 4,000 square feet of hand-painted tile murals.
Keep Going depicts poet and urban planner, who, as a local Afro-Latina, represents the cultural intersection of many South LA communities.
Featuring the original artworks by twelve artists who created posters for the Through The Eyes of Artists series, Each artwork on display in this passageway focuses on a particular neighborhood or city in Los Angeles County to capture the look and feel of each place from a personal perspective.