Community of Angels
Portraits of a cross-section of Angelenos were photographed in front of a pair of paper mache wings, constructed by artist Colette Miller and affixed to a roll down gate on Main Street.
Portraits of a cross-section of Angelenos were photographed in front of a pair of paper mache wings, constructed by artist Colette Miller and affixed to a roll down gate on Main Street.
Project Description Coming and Going symbolizes contemporary society’s relationship with nature, which has become that which exists between human-made elements; columns, buildings, roads, and cities. How do we recognize the disjunction in the artist’s image? How do we reassemble them as we see it? Artist Statement “I wanted to juxtapose high resolution photographed imagery of nature with the long traversed underground corridor. The work comes out of my on-going focus of nature and contemporary urban society” About the Artist STEPHEN GALLOWAY has exhibited his photography extensively throughout the west coast and has been published in Artweek, San Francisco Chronicle and the San Jose Mercury News. Galloway received a Bachelor of Arts and Master of Fine Arts in Photography from San Francisco State University. Display year: 2009 – 2010 Locations: No longer on display
Peter Reiquam specializes in the design and fabrication of public furnishings that are both fun and utilitarian- a sleek series of four subway ‘sofas’ for the Civic Center Station platform.
The artwork is a unique collaboration between two artists, May Sun and Richard Wyatt, who worked together to develop all elements of the artwork’s multiple interlinking elements including the 80 foot long mural, aquarium, floor tiles and river bench to create a sense of place resonant of the history and pre-history of the site.
Artist Sally Weber designed “Celestial Chance” for Lynwood Station to explore traditional and contemporary visions of the sky.
A multimedia project around migrant LGBTQ+ tribute artists who embody and perform as iconic divas in the Latinx community such as Jenni Rivera, Juan Gabriel, Celia Cruz, Chalino Sanchez, Selena and Paquita la del Barrio.
Metro Art invites visual artists and artist teams to submit their qualifications for an opportunity to design four (4) original, site-responsive artworks for large-scale temporary banners. Submit via SlideRoom by July 20, 5:00 pm (PDT) 11:59 pm (PDT).
For Little Tokyo/Arts District Station, Hirokazu Kosaka created six smooth granite benches with concentric circles of black and white, simulating a Zen archery target with station canopies in the shape of Japanese archery bows. Buffer Zone was displayed at the station from 2009-2017 in coordination with the artist.
Artist Stanley Wilson’s work Bridge of Culture focuses on the similarities within the beliefs shared by African and Native American cultures (especially those of Mexico).
Paul Tzanetopoulos has long been fascinated by the seemingly infinite variety of pattern in cultural artifacts, often evident in textile designs. In this project, Breezy and Delightful , the artist focuses on designs which reflect the unique cultural heritage of the many groups that live and work in Long Beach.
During a train ride from Oakland to New York, the artist utilized the time to create artistic installations that reinterpreted the interior space of a sleeper car, as well as the relationship between the train and the passing landscape.
The Metro Board of Directors recently recognized and affirmed the importance of Metro Art’s ongoing efforts to enrich the transit experience for customers with art and cultural programming through unanimous passage of two motions entitled Uplifting the Human Spirit Through Metro Art. The motions call on Metro to champion artistic experimentation and contribute towards reimagining transportation in a way that is responsive to the issues and concerns of our time. Stay tuned for developments in the months ahead.
Blue Sights is a portrait of LP’s fiancé riding the light rail between Long Beach and Los Angeles, while looking into the vast LA basin during a sunrise.
“Blue Line Totems in Red” is Roberto Salas’s tribute to the historic Red Cars of the Pacific Electric Railway. The key element of the project is a series of red “totems” mounted on the platform columns and perforated with designs taken from the 1,100 unique shapes used by conductors to punch tickets on the old Red Cars.
Blue Line Oasis consists of several art elements. A large mosaic and stone “well” greets passengers as they enter the station.
“The astronaut rooster is a reminder that each dawn offers new possibilities, while the lotus flowering cactus symbolizes resilience, and that we can bloom where we are planted.”
For Atlantic Station, Adobe LA created a series of benches with tile rugs at the platform and a large scale free standing sculpture inspired by the striking and colorful design culture of Eastside living rooms, shops, cars, and toys.
Beyond the Biosphere by Amy Cheng depicts a series of vibrant, overlapping spheres in two playful compositions for the glass on the platform canopies at this bus station.
Better Together celebrates public transit’s capacity to create greener citizens, connections and new experiences.
Beautiful Santa Monica portrays the artist’s children—who not only ride the Metro to school from Santa Monica but also to cultural events and museums in downtown Los Angeles—surrounded by the natural bounty that their beloved city has to offer.
Lynn Goodpasture’s artwork for this station celebrates the area’s botanical heritage and the individuals who have shaped the surrounding landscape.
Auntie Shelley fondly recognizes a longtime resident of the Crenshaw Corridor.
Made of annealed bronze strips that have been welded over a supporting armature to create a woven latticed form, Astride-Aside by Michael Stutz represents a unique community that is determined to move forward in its own distinct way.
Art panels combine images of pencil drawings on wood panels and hand-cut Japanese washi paper collage to illustrate the people, places, nurseries and plant life of the area.
Weaving together history and the story of place, Michael Davis’s artwork for this station, located in downtown Arcadia, draws inspiration from two of the city’s major destinations: the Santa Anita Park thoroughbred racetrack and the Los Angeles County Arboretum and Botanic Garden.