Vamos Juntos/Juntas
Through the use of swirling vibrant colors such as metallic blue, electric yellows, pinks, and silvers, Martin Durazo captures the energy of people traveling.
Through the use of swirling vibrant colors such as metallic blue, electric yellows, pinks, and silvers, Martin Durazo captures the energy of people traveling.
Nationally renowned artist Donald Lipski has created a clock tower for the entrance to the new El Monte Station.
A series of four art panels depict momentary encounters of people crossing paths in their daily lives. The images visualize the movement, energy and unintentional patterns people create during their travels.
John Trevino’s photomontages for this bus station, titled Sunk In Above, are inspired by nearby thoroughfares—including Hawthorne Boulevard, Imperial Highway, La Brea Avenue, Rosecrans Avenue, Venice Boulevard and Western Avenue—that connect Los Angeles’s urban areas with the ocean.
Christine Nguyen’s two dreamlike seascapes for this bus station, titled Reflecting City Totems, invite transit users to connect with the ecology and terrain of Los Angeles County’s South Bay.
Alison Saar’s Paraje is a reminder of the surrounding terrain’s natural history and is designed to offer transit users respite from the sun and wind. Located on the west end of the station platform and measuring 10 feet high by 10 feet wide, the cast stainless steel sculptural windscreen contains imagery inspired by the nearby Gardena Willows Wetlands Preserve, which is one of the few remaining pristine willow marshes in Los Angeles.
Merge Conceptual Design, the artist team of Franka Diehnelt and Claudia Reisenberger was commissioned to develop color palettes and tile artworks for two stations along the El Monte busway.
Merge Conceptual Design, the artist team of Franka Diehnelt and Claudia Reisenberger was commissioned to develop color palettes and tile artworks for two stations along the El Monte busway.
The stylized treatment of forms and figures are inspired by Mexican and Chinese cut paper folk art traditions and Japanese woodblock prints, which were meant to honor farm workers.
This artwork focuses on the musicians who played at the stadium and the promoters (radio deejays and TV personalities) who organized and hosted these events.
Béatrice Coron’s Dreams pays tribute to the aspirations of Angelenos, the millions of individuals who have come to the City of Angels—a city of possibilities—so their hopes and dreams can take flight.
Beyond the Biosphere by Amy Cheng depicts a series of vibrant, overlapping spheres in two playful compositions for the glass on the platform canopies at this bus station.