Wind Bridge
Wind Bridge is a system of integrated metal panels along the pedestrian bridge connecting a new busway station to Union Station and Patsaouras Transit Plaza.
Wind Bridge is a system of integrated metal panels along the pedestrian bridge connecting a new busway station to Union Station and Patsaouras Transit Plaza.
Untitled (Questions) features large-scale queries, alternating between English and Spanish, created by artist Barbara Kruger.
Jim Isermann’s Untitled (Tilford’s) (2006) reimagined the facade of Metro’s former Wilshire Customer Center. The artwork transformed the existing 1950s building into a dynamic, eye-catching landmark.
The artwork for Metro’s Center Project facility will be an architecturally integrated piece by Jacob Hashimoto. This site-specific installation is silkscreened onto the exterior metal panels. The artwork patterns are inspired by the cellular structure of the bristlecone pine, one of the oldest known living organisms and native to California.
Showcasing portraiture, landscape, architecture, abstraction and beyond, the ever-changing exhibitions are designed to appeal to a wide variety of ages, backgrounds and tastes at the LA landmark.
Bold, sculptural chairs take their influence from the elegant, wood and leather seating located above the platform, in historic Union Station.
Traveler, a tile mural located at the bottom of the escalator at the east entrance of the subway station, depicts travelers from different eras in a Los Angeles “timescape” that features historical references such as Spanish galleons, the Pico House, Olvera Street and actress Carol Lombard.
Thinking metaphorically about the internal workings of the Metro system as a “well oiled machine,” the artist introduces shapes for train, bus and bicycle wheels and power gears all fluidly interconnected with a belt running throughout the floor design.
This series of photographic portraits present the artists behind the artworks in the Metro system. The illuminated photographs on display in the Passageway Art Gallery depict the artists in their homes and studios, providing a glimpse into their distinct personalities and cultural influences.
Photo based artworks by five artists address Union Station as The Heart of Los Angeles on the occasion of its seventy-fifth anniversary.
Roy Nicholson’s artwork for two facing concrete wall locations at a below grade portal celebrates the natural beauty of Los Angeles’ favorable geographic position on the 34th parallel.
This artist team designed a series of six bus passenger waiting areas which reference the social and natural history of the site and incorporate ideas about shelter, movement, evolution and change.
This artist team worked with project architects to form seating areas, planter walls and fountains which together form an inviting corner park.
James Doolin’s series of four major murals are conceived to show the astounding scale and grandeur of Los Angeles history and thereby the need for the best public transit systems.
Hand-painted and glazed ceramic tile on the undersurfaces of the bridges provide the illusion of lacy tree branches overhead, while cast relief tiles feature a variety of native birds and animals which might once have inhabited this spot.
Margaret Nielsen’s mural presents a chronicle of Los Angeles history, primarily through images of antique postcards which take us to a different time and place
This large painting on aluminum panels is located above the escalators at the west entrance to the Metro B Line (Red) subway station.
Featuring the original artworks by twelve artists who created posters for the Through The Eyes of Artists series, Each artwork on display in this passageway focuses on a particular neighborhood or city in Los Angeles County to capture the look and feel of each place from a personal perspective.
Michael Amescua’s decorative and functional art elements grace several areas throughout the entry to Metro Headquarters and the Patsaouras Bus Plaza.
Overlooking the main entry lobby to the Metro facility, the brightly hued artwork comments upon the San Gabriel Valley.
For this artwork, Michele Asselin has created luminous portraits of an urban planner, mechanic, bus operator, rail security officer and other professions. The artist found inspiration in the personal and professional stories that drew her subjects to Metro.
Field of Poppies by Christie Beniston integrates a lace-like pattern of poppies into a 96-foot section of the steel mesh perimeter fence at Metro’s operations and maintenance facility in Monrovia.
Abstract art utilizes a visual language of shape, color, and line to depict a composition devoid of recognizable things from nature.
Patrick Nagatani’s collage mural addresses the idea of transportation from an individual to a global perspective. Over 500 postcards of transit images from 1900-1995 together form a view of the edge of the earth seen from space.
At the corner of Cesar E. Chavez Avenue and Vignes Street, Christine Ulke’s artwork for the exterior of the Division 13 Bus Maintenance and Operations Facility in downtown Los Angeles commemorates an iconic sycamore tree that stood for approximately 400 years three blocks south of the building site.