Dreams
Béatrice Coron’s Dreams pays tribute to the aspirations of Angelenos, the millions of individuals who have come to the City of Angels—a city of possibilities—so their hopes and dreams can take flight.
Béatrice Coron’s Dreams pays tribute to the aspirations of Angelenos, the millions of individuals who have come to the City of Angels—a city of possibilities—so their hopes and dreams can take flight.
In “Dramatic Locale,” artist Caryl Davis designed a terrazzo paving area and a porcelain enamel steel panel for the North Hollywood station platform that incorporates the many placenames given to the regions landforms by its human inhabitants.
Photo based artworks by three artists invite visitors to Union Station to explore the histories, paradoxes, ironies and majesties of Los Angeles landscapes.
Artist Charles Dickson sought to reflect the community’s contribution to preserving the El Segundo Blue Butterfly, and to call attention to the parallels between nature and the development of aerospace technology that has played an important role in the area surrounding the Mariposa Station.
Devon represents a Crenshaw District resident whose grandparents resettled in the area after their internment during WWII.
Colin Gray created a decorative cast-stone cartwheel of approximately nine feet in diameter which is placed upright in the center of the station platform.
Deep Connections, an exhibition now on display in the Union Station Passageway Art Gallery, features the otherworldly black and white photography of artist Ken Karagozian.
Project Description Artist Buzz Spector uses the theme of an “open book” for Crenshaw Stories. As is the case throughout Los Angeles, people living in the neighborhoods surrounding the station speak a number of different languages. Spector collected stories from these residents in several languages including Spanish, Korean, Japanese, Chinese, Thai, Arabic, Russian and Tagalog. Seventy-two of these stories were hand-painted onto tile and interspersed with color tiles at the entrance to the station. In addition, seventy-two of the most commonly spoken languages by children in Los Angeles public schools, each coupled with the word “American,” are embedded at intervals across the platform. The book motif has also been incorporated into the design of station seating and paving patterns. Spector’s work provides a unique and colorful identity to Crenshaw Station while providing connections between people, between places, and between times. Collaboration with Caltrans, Architects. Artist Statement “Transportation systems are not just means of moving people—they are metaphors of the cultural and spiritual links between peoples. Crenshaw Stories has been designed to stress the connections between us that …
The seven images selected for this series of cinematically constructed photographs convey both the naturalness and self-consciousness that pervade all adolescent interactions.
Project Description Roy Dowell designed terrazzo paving areas and porcelain enamel steel panels for the station platforms. His designs for each platform utilize elements of neighboring signage and to some extent found printed posters and advertisements combined with other found printed material to create the images. The aircraft engine being used as a public sculpture at the Boeing plant across the street from the station was another point of inspiration, an object taken out of context and presented for purely aesthetic consideration. Artist Statement “My work alludes to a history of accumulated information and use as it invites the viewer to position themselves as both the interpreter and creator of a new history. Their lives and experiences feed the meaning and intent of the pieces that I have created for this site.” About the Artist ROY DOWELL has been a practicing artist for more than 25 years, with work in a number of museum collections. His work has been seen in numerous one-person and group exhibitions both nationally and internationally. Roy primarily works as a painter, …
Eva Cockcroft’s ceramic tile murals examine the Compton area’s past, present, and future, with particular emphasis on the arrival of the various ethnic groups (African American, Latino and Samoan) that have contributed to the character of the city.
Project Description Companions is a series of cast bronze sculptures distributed throughout the station which introduce human scale to the often overwhelming environment. The figures, which represent various age groups, interact with passengers and each other. Up close, their smooth surface reflects a distorted image of the viewer. Grimmer also designed the polished granite benches at the station, providing harmonious seating for both passengers and the figural sculptures. Collaboration with Caltrans, Architects. Artist Statement “These figures are meant to be understood on different levels. They can appear to be companions to take along on a mental journey or to greet on the return. Upon catching a glimpse of his/her distorted reflection in the sculptures, the commuter may realize that however familiar we are to ourselves we may appear odd to others. Such a realization can be the first step to broadening our appreciation of the variety of ethnicities and lifestyles within our community and the world.” About the Artist MINEKO GRIMMER, born and raised in Japan, received a traditional western art education at Iwate University in Japan. …
Portraits of a cross-section of Angelenos were photographed in front of a pair of paper mache wings, constructed by artist Colette Miller and affixed to a roll down gate on Main Street.
Project Description Coming and Going symbolizes contemporary society’s relationship with nature, which has become that which exists between human-made elements; columns, buildings, roads, and cities. How do we recognize the disjunction in the artist’s image? How do we reassemble them as we see it? Artist Statement “I wanted to juxtapose high resolution photographed imagery of nature with the long traversed underground corridor. The work comes out of my on-going focus of nature and contemporary urban society” About the Artist STEPHEN GALLOWAY has exhibited his photography extensively throughout the west coast and has been published in Artweek, San Francisco Chronicle and the San Jose Mercury News. Galloway received a Bachelor of Arts and Master of Fine Arts in Photography from San Francisco State University. Display year: 2009 – 2010 Locations: No longer on display
Peter Reiquam specializes in the design and fabrication of public furnishings that are both fun and utilitarian- a sleek series of four subway ‘sofas’ for the Civic Center Station platform.
The artwork is a unique collaboration between two artists, May Sun and Richard Wyatt, who worked together to develop all elements of the artwork’s multiple interlinking elements including the 80 foot long mural, aquarium, floor tiles and river bench to create a sense of place resonant of the history and pre-history of the site.
Artist Sally Weber designed “Celestial Chance” for Lynwood Station to explore traditional and contemporary visions of the sky.
For Little Tokyo/Arts District Station, Hirokazu Kosaka created six smooth granite benches with concentric circles of black and white, simulating a Zen archery target with station canopies in the shape of Japanese archery bows. Buffer Zone was displayed at the station from 2009-2017 in coordination with the artist.
Artist Stanley Wilson’s work Bridge of Culture focuses on the similarities within the beliefs shared by African and Native American cultures (especially those of Mexico).
Paul Tzanetopoulos has long been fascinated by the seemingly infinite variety of pattern in cultural artifacts, often evident in textile designs. In this project, Breezy and Delightful , the artist focuses on designs which reflect the unique cultural heritage of the many groups that live and work in Long Beach.
During a train ride from Oakland to New York, the artist utilized the time to create artistic installations that reinterpreted the interior space of a sleeper car, as well as the relationship between the train and the passing landscape.
The Metro Board of Directors recently recognized and affirmed the importance of Metro Art’s ongoing efforts to enrich the transit experience for customers with art and cultural programming through unanimous passage of two motions entitled Uplifting the Human Spirit Through Metro Art. The motions call on Metro to champion artistic experimentation and contribute towards reimagining transportation in a way that is responsive to the issues and concerns of our time. Stay tuned for developments in the months ahead.
Blue Sights is a portrait of LP’s fiancé riding the light rail between Long Beach and Los Angeles, while looking into the vast LA basin during a sunrise.
“Blue Line Totems in Red” is Roberto Salas’s tribute to the historic Red Cars of the Pacific Electric Railway. The key element of the project is a series of red “totems” mounted on the platform columns and perforated with designs taken from the 1,100 unique shapes used by conductors to punch tickets on the old Red Cars.
Blue Line Oasis consists of several art elements. A large mosaic and stone “well” greets passengers as they enter the station.