Couples, Groups and Friends
The seven images selected for this series of cinematically constructed photographs convey both the naturalness and self-consciousness that pervade all adolescent interactions.
In addition to integrating artwork at all Metro stations, we also offer transit riders the opportunity to engage with a wide variety of artworks through multiple exhibition series. The unique, site-specific formats range from neighborhood posters and photography to community art banners and most recently on TAP cards and digital screens at station platforms.
The seven images selected for this series of cinematically constructed photographs convey both the naturalness and self-consciousness that pervade all adolescent interactions.
Portraits of a cross-section of Angelenos were photographed in front of a pair of paper mache wings, constructed by artist Colette Miller and affixed to a roll down gate on Main Street.
Project Description Coming and Going symbolizes contemporary society’s relationship with nature, which has become that which exists between human-made elements; columns, buildings, roads, and cities. How do we recognize the disjunction in the artist’s image? How do we reassemble them as we see it? Artist Statement “I wanted to juxtapose high resolution photographed imagery of nature with the long traversed underground corridor. The work comes out of my on-going focus of nature and contemporary urban society” About the Artist STEPHEN GALLOWAY has exhibited his photography extensively throughout the west coast and has been published in Artweek, San Francisco Chronicle and the San Jose Mercury News. Galloway received a Bachelor of Arts and Master of Fine Arts in Photography from San Francisco State University. Display year: 2009 – 2010 Locations: No longer on display
A multimedia project around migrant LGBTQ+ tribute artists who embody and perform as iconic divas in the Latinx community such as Jenni Rivera, Juan Gabriel, Celia Cruz, Chalino Sanchez, Selena and Paquita la del Barrio.
For Little Tokyo/Arts District Station, Hirokazu Kosaka created six smooth granite benches with concentric circles of black and white, simulating a Zen archery target with station canopies in the shape of Japanese archery bows. Buffer Zone was displayed at the station from 2009-2017 in coordination with the artist.
During a train ride from Oakland to New York, the artist utilized the time to create artistic installations that reinterpreted the interior space of a sleeper car, as well as the relationship between the train and the passing landscape.
Project Description For Cardenas, traversing by bus or train in a city known for its cars and freeways is a study of Los Angeles’s diverse cultures, people and neighborhoods. To create the photographs in Anonymous (2016), the artist roamed the city in all modes of transportation: bike, bus, train, car and foot. Inspired by the nuances of daily life, he discreetly captured distinct moments as they unfolded in front of him. These artworks are part of the Metro Art Photo Lightbox Series, displayed in select stations between 2017 and 2020. Artist Statement “These images tell stories that are often overlooked as we move anonymously through the streets of Los Angeles. They speak to the smells, sites and sounds of the city, and the many individuals encountered as they head to work, play and home.” About the Artist RAFAEL CARDENAS (b. 1971, Jalisco, Mexico) is a self-taught photographer who chronicles the personalities and times in which we are living through intimate portraits and street scenes, primarily capturing the gamut of life in East Los Angeles where he …
These images generally trace the route of the Metro A Line (Red) on Wilshire and become a frozen record of the neighborhood under which the trains run.
Project Description Taken by the artist while on the road, these images conjure a passenger’s associations to another time, or place, during their travels. Artist Statement “My concept for this project is a simple one: To bring the beauty of and atmosphere of nature to the urban spaces people commute in. My images have a quality that I often hear transports viewers to another time or place in their lives. The images I have selected are all images that were made while traveling or on the road. They mirror the commuter’s journey but clearly in a more reflective way.” About the Artist TODD HIDO is a San Francisco-based artist whose work has been featured in Artforum, The New York Times Magazine, Metropolis, I-D, and Vanity Fair. His photographs are in the permanent collections of the Whitney Museum of Art, the Guggenheim Museum, San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art. Display year: 2010 – 2013 Locations: Universal City/Studio City Station No longer on display
Produced in 2021, An Ode To The Essential is a tribute dedicated to all essential workers and to those we have lost. The tribute features an original poem by Joseph Rios with text in a reflective gold reminiscent of the glow of afternoon light and suspended over a delicate line drawing of a distinctly Los Angeles cityscape by artist Manuel López.
Metro Art invites artists and artist teams working in digital media to apply to the 2022 Artist Pool for Digital Media Opportunities. DEADLINE: Wednesday 8/31 at 5:00 pm (PDT) 11:59 pm (PDT) Wednesday 9/14 at 11:59 pm (PDT)
Alhambra was the first city in California with an iron pipe irrigation system. The pipes frame the cultural icons and symbols of the city, including its founder, B.D. Wilson, and depict the community’s diversity, commerce and history.
Nature trails, train tracks, map fragments and names of local landmarks are nestled along sun-kissed mountain peaks and natural wonder that this independent, creative community in the foothills of the San Gabriel Mountains offers.
Azusa Avenue, also known as Highway 39, is a scenic boulevard that leads to the San Gabriel Mountains.
This cityscape celebrates a natural refuge known for expansive vistas, which draw native wildlife and people alike.
Artist Sevag Mahserejian draws inspiration from the unaltered natural landscapes of Canoga Park and their relationship to the built environment in In What was here once before, an artwork created for the Through the Eyes of Artists poster series on display in the fleet.
Danny Heller illustrates a Chatsworth landmark, Stoney Point, while celebrating the classic car and equestrian cultures indicative of this unique part of Los Angeles County.
Trevino has adapted the Monkey King character from Chinese folklore to symbolically bridge the gap between Chinatown’s traditions and its emerging pop culture.
Jessica Polzin McCoy’s watercolor depicts a college town that flourishes within the creative environment of the Claremont University Consortium, and opens an informal invitation to visit a backyard, ride a bike, step into a shady grove and attend school.
In her photograph, Yardas, Sandra de la Loza depicts moments of vibrancy in a land of contrasts, where heavy industry meets small residential enclaves.
Pinkney’s goal was to capture the energy and excitement of the City of Compton through local cultural icons (known and not so well-known) including: the Compton Airport, Compton Creek Horse Trail, Olympic Memorial Park, Martin Luther King Jr. Memorial and a skate park.
Downey’s unique vintage charm and post-World War II industrialization is captured through the combination of muted and vibrant colors, as the artist interposes historic landmarks with railroad crossings and power lines.
Warm highlights accentuate the principally blue, painted composition in which variously scaled figures stroll, dine, shop, and cycle among charmingly detailed architectural facades, signage, sidewalk planters, and street trees.
Each sign, like each street is unique and vital and part this urban village’s small town persona.
Celebrating the vitality and diversity of East Hollywood, a flagpole at the heart of this snapshot of daily life proudly reflects the neighborhood’s Armenian, Mexican, Salvadoran and Thai heritage.