Rider’s Dream


Project Description Passengers are greeted at Allen Station, situated along the 210 Freeway median, by Michael Amescua’s dramatic grillwork adorning the street-level entrance. Amescua’s series of steel panels, created in the tradition of papel picado, or punched paper, are painted a deep forest green with brushed stainless steel and red enamel accents, and forms a relief against a golden ceramic tile wall. Papel picado is a folk art that can be traced back to pre-Columbian times, when Mexicans used cutout bark paper depicting a variety of human and animal spirits as offerings to the gods, as a tribute to the Aztec emperor, Moctezuma II, and as decoration in their temples and palaces. Amescua’s panels depict a family of figures and a dog in a mystical romp through the region’s rich flora and fauna—an idyllic background scene that includes a sun and moon, stars that morph into birds, palm and pine trees, mountains and arroyo, river boulders, and rail tracks. These images mimic the surroundings that can be viewed from the station platform above. Another panel …