The 14 colorful panels of Audrey Chan’s Will Power Allegory feature fluid vignettes of people and symbols from Los Angeles’ Little Tokyo, Arts District, Skid Row, Bronzeville, and Gabrielino/Tongva Tribe.
For her artwork, Andrea Bowers will imbue the glass walls of the station’s entrance pavilion with messages of unity and democracy through her translation of the slogans “El pueblo unido jamás será vencido” (The people united will never be divided) and “By independence we mean the right to self-determination, self-government and freedom.”
Mark Steven Greenfield’s glass mosaic, titled Red Car Requiem, for the station’s concourse will be a sentimental tribute to Los Angeles’s historic Pacific Electric Red Cars, a once iconic fixture in the city.
Titled Negative Space (STScI-2015-02), Mungo Thomson’s two murals for this subway platform evolved from a series of artworks in which he digitally inverts astronomical images from the Hubble Space Telescope’s online photographic archive.
With particular emphasis on the often-overlooked migrations of Black Americans, Clarence Williams’s deeply personal artwork, Migrations, for the platform of this downtown station pays tribute to the area’s legacy as a place where scores of migrants first made their way to Los Angeles.
Reflecting upon the geological, anthropological and cultural histories of the region served by the station, Pearl C. Hsiung’s artwork High Prismatic depicts an explosive, colorful gesture arising out of an infinitely roiling landscape toward a spray-tinted, celestial expanse.
Clare Rojas’s artwork will honor the presence of the natural world within the urban landscape and highlight humanity’s shared rhythm with the land, water, and sky.