Project Description Divining Los Angeles Landscapes: Woodlands to Watersheds On display in Union Station Passageway Art Gallery July 2015-July 2016 Photo based artworks by three artists invite visitors to Union Station to explore the histories, paradoxes, ironies and majesties of Los Angeles landscapes. The thirty-six illuminated color and black-and-white photographs on display in this passageway meander from ethereal botanical specimens at large scale to vistas of the wild urban edges, and the connective unnatural nature in between. Joyce Campbell – In the Ether Ken Gonzales-Day – Oak and Thistle: Views of the Santa Monica and San Gabriel Mountains John Humble – Natura Urbanus About the Artist JOYCE CAMPBELL (b. 1971, New Zealand) earned a Bachelor of Fine Arts from Canterbury University and Master of Fine Arts from the University of Auckland, where she is pursuing a doctoral degree in creative practice. She has lectured at a number of universities, including California State University, Northridge, Claremont Graduate University, Scripps College, the University of Auckland Elam School of the Arts and the University of California, Irvine. Her interdisciplinary work has been …
The series depicts the rolling hills and native flora of western Los Angeles at Cheeseboro and Palo Comado Canyon and captures the foothill woodlands that run along the San Gabriel Mountains to the east through images taken at Descanso Gardens.
Metro’s Purple Line Extension is a three-part rail project that will begin at the intersection of Wilshire Boulevard and Western Avenue, extending westward for about 9 miles with seven new stations.
Showcasing portraiture, landscape, architecture, abstraction and beyond, the ever-changing exhibitions are designed to appeal to a wide variety of ages, backgrounds and tastes at the LA landmark.
Inspired by the idea of transporting the body and mind, and by the station as an excavation site, Ken Gonzales-Day‘s glass-tile mural for the north and south concourse level walls aims to transport transit customers across time and place by immersing them in an environment where images of objects—spanning many cultures, continents and eras—mined from the Los Angeles County Museum of Art’s permanent collection are reproduced at an enormous scale.
Ken Gonzales-Day’s Western Imaginary subtly refers to history embedded in the local landscape.